Hank Mobley – Curtain Call: Blue Note Tone Poet Series (180g Vinyl LP)

Product Description

All-Analog 180g Vinyl LP of Hank Mobley’s Curtain Call Mastered from the Original Master Tapes by Kevin Gray & Pressed at RTI: Reference-Caliber Blue Note Reissue Helmed by Music Matters’ Joe Harley

It’s a sign of the sheer volume of top-notch hard bop that Blue Note was recording in the 1950s-60s that a supremely swinging date like Hank Mobley’s 1957 album Curtain Call would sit in the vaults unreleased until 1984. Mobley himself was in the middle of a particularly prolific streak that year with the tenor saxophonist recording 6 sessions for Blue Note in 1957 alone. This highly-enjoyable 6-song set includes 4 Mobley originals including the extended opener “Don’t Get To Hip,” the hard-charging title track, and the bright swing of “The Mobe” along with 2 standards (“Deep In A Dream” and “My Reverie”) performed by a quintet with Mobley joined by Kenny Dorham on trumpet, Sonny Clark on piano, Jimmy Rowser on bass, and Art Taylor on drums.

Blue Note Records’ acclaimed Tone Poet Audiophile Vinyl Reissue Series continues in 2022. Launched in 2019 in honor of the label’s 80th Anniversary, the Tone Poet series is produced by Joe Harley (from Music Matters) and features all-analog, 180g audiophile vinyl reissues that are mastered from the original master tapes by Kevin Gray of Cohearent Audio. Tone Poet vinyl is manufactured at RTI in Camarillo, CA, and packaged in deluxe Stoughton Printing “Old Style” gatefold Tip-On jackets. The titles were once again handpicked by Harley and cover the crème de la crème of the Blue Note catalog along with underrated classics, modern era standouts, and albums from other labels under the Blue Note umbrella including Pacific Jazz and United Artists Records. Every aspect of these Blue Note/Tone Poet releases is done to the highest-possible standard. It means that you will never find a superior version.

“The LPs are mastered directly from the original analog master tapes by Kevin at his incredible facility called Cohearent Mastering. We go about it in the exact same way that we did for so many years for the Music Matters Blue Note reissues. We do not roll off the low end, boost the top or do any limiting of any kind. We allow the full glory of the original Blue Note masters to come though unimpeded! Short of having an actual time machine, this is as close as you can get to going back and being a fly on the wall for an original Blue Note recording session.”
– Joe Harley

Musicians:
Hank Mobley, tenor saxophone
Kenny Dorham, trumpet
Sonny Clark, piano
Jimmy Rowser, bass
Art Taylor, drums

1. Don’t Get Too Hip
2. Curtain Call
3. Deep In A Dream
4. The Mobe
5. My Reverie
6. On The Bright Side

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